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Send
info to Anna at graphicanna@sbcglobal.net — in
the precise order shown in
the pink box below. new stays
till the show opens.
Art space info's on Gallery
Information. From here reviews move to Short
Shows 2010.
So...how are things? - Lloyd Lowe Jr. at Rising, 4631 Insurance Lane in Dallas, through March 12
In Times Past - Randall Reid at William Campbell, through March 13
How We See It -Terry Cockerham and Deanna Wilson at UT Southwestern Library, through March 15
Warnings & Instructions - James Gilbert at Dallas Contemporary,
through March 18

Skip Noah Chiron Serenading The Autumn Woods
2009
acrylic
on canvas 28 x 22 inches
Other Worlds, the Dream Paintings - Skip Noah at Dahlia Woods Gallery through March 19
Barometer- John Adelman at University of Dallas Upper Gallery through March 19.
I Fell 37 Miles to Earth 100 Years Ago - Wayne White at Marty Walker through March 20
Memories and Transformations - Virgil Grotfeltd at Holly Johnson through March 20
Bill Fegan, Harry Ally and John
Hathorn at Craighead Green through March 20
James Sullivan and Al Souza;
Brett Rees in the Project Room at Conduit through March
20
new 18 Photographs - Andrea Roberts, Andrew Shepherd, Ange Fitzgerald, Daisy Yokley, Justin Terveen, Wendy Woodruff Wezensky at Kettle, opening 7-10 Saturday, March 13 , through March 20
Performance/Art focuses on "six contemporary artists from around the world who include elements of theater, opera and performance in their work" including Argentine painter Guillermo Kuitca, Canadian sculptor David Altmejd, Finnish video artist Eija-Liisa Ahtila, British-Nigerian sculptor and media and installation artist Yinka Shonibare and Dallas-based sculptors Tom Orr and Frances Bagley in the Quadrants at the Dallas Museum of Art through through March 21
See our popular story about Tom Orr and Frances Bagley's work on a visit to their studios, Exploring Tom Orr and Frances Bagley

Timothy Harding WD #8 (detail) 2010
paper, gesso, graphite, fluorescent light, electrical cord,
video projection
dimensions variable
new MFA Thesis Show - Timothy Harding at TCU in the Moudy Building, 2805 South University at Cantey Street, Fort Worth, Texas, up March 22, closing reception 6-8 Thursday, March 25
Art, Architecture and Abstraction - Photographs by Lyndall Dyer, Jack Luehrs, Nelson Spencer and Alan Whiteside at The Dallas Institute of Humanities and Culture, 2719 Routh Street through March 25
new Thirteen Ways of Looking at a River - Kathy Windrow at Gallery 219, Eastfield College, 3737 Motley Drive, Dallas Texas, up now, closing reception 6-8 Thursday, March 25

Diane reader Dorn Wall Cloud on the Plain 2009
encaustic on panel 11.75 x 11.75 inches
members
Dallas
Wax: Fusion - Ivonne Acero, Karen Chaussabel, Rhonda Daniel,
Linda Disosway, Diane reader Dorn, Brett Dyer, Peggy
Epner, Nancy
Ferro, Carolyn
Fox-Hearne, Caryl Gordon, Antoaneta Hillman, Teri Lueders, Cheryl McClure,
Junanne Peck, Michelle Pryor, Susan Sponsler-Carstarphen, and Deanna Wood at
Pfamily Arts, 4017 Preston Road, LakeSide Market, Plano, Texas, 75093, through
March 26.
Click members' links to see more of their work on their DallasArtsRevue Membership pages.
Photojournalism of the Civil
Rights Movement: A
View of the Cold War – Home Front with work by Bernice Abbott,
Dawoud Bey, Andreas Feininger, Benedict J. Fernandez, Leonard Freed, Ernst
Haas, Matt Herron, Earlie Hundnall, Jr., Arthur Leipzig, Mary Ellen Mark, Duane
Michaels, Charles Moore, Inge Morath, Gordon Parks, Flip Schulke and Dan Weiner
at UT Dallas,
reception and gallery talk by curator Matt Hinckley
2 pm Tuesday, February 9, panel discussion on collecting photography, 7:30
Thursday, February 25, through March 26.

Christopher Rabb, Plotting 2010 acrylic on canvas 60 x 40 inches
new ACME - Christopher Rabb at Mokah, up March 11, reception 7-10 Saturday, March 20, through March 27

Sonagram Drawing
Sonogram Drawings - Andrew DeCaen at Norwood Flynn through March 27.
new A Printmaker's Ceramics - Thomas Seawell at Tarrant County College Northwest, Lakeview Gallery, 4801 Marine Creek Parkway, Fort Worth, Texas, closing reception 11-2 Saturday, March 27

Don Taylor
Rick
Maxwell, David Newman, Don Taylor at University of Dallas, Haggerty Gallery, through
March 28
Free Afternoon - Clayton Hurt, Outskirts - Sarah Williams, The Mustard Gas Phantasies of Wilfred Owen - Scott Hilton, The Labors - Mario Galicia and Captain Joel Kiser at 500X through March 28
Two images of Sarah Williams' glowing paintings included on Art Here Lately
Scrap Can Be Beautiful - metal sculptures by Booker T. Washington High School students Elizabeth Andrews, Ivan Arellano, Belinda Baltazar, Evan Beck, Jordan Clark, Trevor Donaldson, Antonio Equia, Alexandria Henry, Ana Laura Juarez, Leigh Garcia, T'Zabrean Green, Gloria Fernandez, Ana Hernandez, Erika Holland, Dylan King, Jake Ledbetter, Chloe Lemons, Josseline Lopez, Jack Mayner, Greer McDonald, Kelsey McKinney, Erin McStravick, Jeff Muncy, Raul Najera, Danielle Rule and Jackson Stein, in Bryan Tower lobby, 2001 Bryan Street, through March 31

Carroll
Swenson-Roberts Flower 2009 sharpie
on clayboard 36 x 24 inches
DallasArtsRevue.com photo by J R Compton
member The March Show - Carroll Swenson-Roberts and Emilie Tee Butz at the Dallas Public Library Downtown in the Bradshaw Gallery, up March 3, reception 2-5 Sunday, March 14, through March 31
Click members' bold links to see more of their work on their DallasArtsRevue Membership pages.
Through April
new member March Show - Ivonne Acero, Linda Clary, Harold L. Cohen, Scott Denman, Sandra K. Douglas, Mary Frank, Valery Guignon, Antoaneta Hillman, Paula Joyce, Kelaine Kvale, Teri Lueders, Ilko Nitchovski, Junko Otsu, Pavlina Panova, Jan Partin, Juanne Peck, Melissa Preston, Loretta Reinick, Cynthia Saathoff, Kitty Alice Snead, Maryanne Turner, Yael Vangruber, Kate Wickham, Rob Wilbourn at Visual Image Fine Art, 14320 Midway Road, Suite 300 (S.E. corner of Midway and Proton), Dallas, Texas, opening 5:30-9 Saturday, March 13, through April 1
Click members' bold links to see more of their work on their DallasArtsRevue Membership pages.
Building Character - Jeru Gabriel, C. Kirk and Hatziel Flores at 4th Wall through April 3
The Loneliest Road in America - Lloyd Brown at Valley House, artist talk 11 am Saturday, March 20, through April 3
new Uncommon Ground - Debbie Carroll, Gina Dunn, Michelle Stroescu and Kate Wickham at Artisan Style, reception 6-9 Friday, March 12, through April 3
Reflexivity Hum - Mary Benedicto, Gregg Biermann, Robert Flowers, Potter-Belmar Labs, Stephan Hillerbrand and Mary Magsaman at Mighty Fine Arts through April 4
new Southern Graphics traveling exhibition in the Forum and Todd Anderson in the Studio at Brookhaven College, reception 6-8 Thursday, March 11, through April 8
Depravities
of War - Sandow Birk, Barquitos de Papel/Paper
Boats - Muriel Hasbun and of Wrath and Proxy Wars -
Jessica Benjamin and Sirajski at the MAC through April
10
mentioned briefly, with one image, on Art Here Lately
new Jonathan Fischbach, Dinah Ihle, Michael Nourot, Ann Corcoran, Jennifer Umphress, Elizabeth Johnson at Kittrell/Riffkind Art Glass, opening 1-5:30 Saturday, March 13, through April 10
Reflections - Carmen Menza at Belmont Hotel through April 13
David Shulze at Northlake College, up now, reception 7:30-9 Wednesday, March 24, through April 13

Michele Mikesell Black Sheep 2010 oil and enamel on canvas 15 x 15 inches
new Chapter 1: Allegory - Michele Mikesell, Maria Jose Concha at Decorazon, reception 6-9:30 Saturday, March 13, through April 13
new Lisa Grossman at Marty Walker, opening 6-8 Tuesday, March 23, through Saturday, April 17
opening date correction new Sweet Acrobatics: An Artistic Study of Motion - Penelope Bisbee, Tomas Bustos, Sergey Chernomorets, James Crowe, Sheila Cunningham, Eliseo Garcia, Juan J. Hernandez, Sara Lovas, David McCullough, Cap Pannell, Guy Reynolds, and Christopher Stewart, SPACE II: Accenting the Positive and Negative Recent - T. Stone at the Bath House Cultural Center, opening 5-7 Sunday, March 14, through April 17
Click members' links to see more of their work on their DallasArtsRevue Membership pages.

Steven Hopwood-Lewis Untitled (detail)
i
ink on paper 9.5 x 6 inches
Drawings - Steven Hopwood-Lewis at The Public Trust through April 17
Transitive Pairings: Body Object - Russell Buchanan/Sunny Sliger, Gary Cunningham/Gabriel Dawe, Sharon Odum/James Gilbert - Undercover - Kristen Cochran at Centraltrak through April 24
new Super-Duper Serious - Carlo F. Zinzi at UT Dallas, Meszzanine Gallery, Visual Arts Building, opening 6:30-8:30 Friday March 26, through April 24
new LA 19 (God's Daughters) - Letitia Huckaby at South Dallas Cultural Center, Arthello Beck opening 5-7 Saturday, March 13, through April 24
new Free Range - Jennifer Moreman at Rising, reception
6-9 Friday, March 19, through April 24
new 7th Annual Hecho en Dallas — Jeanne Sturdevant, Oscar Duran, Chris Bingham, Keirston Jacobs, Jeff Parrott, James Michael Starr, Katherine Colin, Sharon Bernard, Kristine Byars, Rosalinda Trevino Stone, Bob Dreier, Daniel Rivera, Roberto Mungia, Marta Azevedo, Michael Mahler, Joel Sampson, Angel Cabrales, Julia McLain, Chris McHenry, Suzy Moritz, Cat Snapp, John David Tisdale, Brandon Thibodeaux, Rita Barnard, Frank Lopez, Natalia Ferber, Francisco Moreno, Marilyn Jolly, Bernardo Cantu, Guy Reynolds, Solange Mariel, Mariande Lefeld, Adriana Martinez Mendoza, Martin Campos, Ingrid Scoble, Jack Brockette, Humberto De Garrio, Kim Cadmus Owens, and Michael Maurer at the Latino Cultural Center through April 24:
7th Annual Hecho en Dallas Latino Culture Center through April 24 Story + Photographs
by J R Compton
Jack Brockette Through a Glass Darkly 2008 fiber
It seems who hung the show hung two, maybe and a half. One up front that's only minimally interesting in a minimally interesting space more useful for dance or a class or crafts run wild with little kids, with a couple nice pieces lost in the miasmas. Surrounded by drek and jetsam. Then a lovely spread of fine art in the back room with art I loved and art I didn't love, but there an attitude of fine art prevailed. The half or less fractions are the pieces scattered in between the disparate spaces, lost in nowhere land. Jack Brockette's lush fabric Through a Glass Darkly hung free, rustling slightly in what little breeze finds its way into the back room, illuminated only by afternoon light beaming in windows and down the bright clerestory, a gentle layering of sheer and gridded squares and rectangles, delicate in alternating columns of silvers and golden browns. I had to touch,
so touched with fingers and eyes. Beautiful work in a
medium too seldom seen in these competitive community
exhibitions.
Jeff Parrott Into the Night 2009 acrylic Work in the large, front gallery, where often when H O in Dallas shows, there's an educational show with work by four-year-olds or something, it almost seems that there still was, though a spare few that nobody figured out quite what to do with sparkled. Either jurors were told to fill every space in the building or they didn't know where to stop and just did, and there's plenty of filler out there in the big front space I very nearly just walked past to go out the front door, not realizing till almost too late this show was bigger. Almost wish I had just walked on by, but
I might have missed Jeff Parrott's Into the Night acrylic,
suffering though it was from splotchily indifferent lighting
that makes it a challenge to photograph, that while I was
not totally enamored of it, startled and surprised me enough
for second and third takes into its densely colorful comic
sensibility desperate to fill every square
inch.
Michael Mahler Ondeo 2010 acrylic
on canvas Or Michael Mahler's too-alike set of acrylics on canvas that looked at first and kept on looking like intricate tile wave abstracts tsunaming toward another ancient shore, full of depth and shape and perfect color. Chris McHenry's photo realist downtown scene, sidewalk level up into the riot of buildings along Commerce Street, 2009 oil on linen catching an indelible corner of bright blue sunlight while mostly illuminated with brown tungsten gallery spots, permanently screwing my photo of it. It looked good, but maybe a tad too photographic. I always admire painters who paint Dallas. His foreshortened
line-up of massive stonework facades down one side of Commerce
are amazing, florid stand-outs against acres of planar
brick across the busy street, and I've done with such gems
there are in the front room.
John David Tisdale Buckle 08 2009 sterling
silver, copper, brass A pair of belt buckles just inside the back gallery, neatly
inconspicuous, horizontal on a riser, shining metals in subtle
inlaid shapes, florid in low light, yet lush and abstract, looking
entirely unlike belt-buckles encased in soft black shadowlessness.
Another stunning little example of art in the unexpected form
of craft.
Probably a Jesus Moroles in the LCC Courtyard Any time I'm in LCC with daylight streaming in, I am enraptured by the strong shadows and vivid Mesoamerican colors and shapes in the patios just outside large glass windows and doors off exhibition spaces. It becomes part of whatever show is interior. That stuff may all be fake adobe, but it colors the landscape like Santa Fe, and the sun and sky oblige that little fakery of Southwestern light with metal striped shadows and broad pure hues.
Daniel
Rivera Reliquary for Memories 2009 wood,
bone and porcupine quills Looking down on Daniel Rivera's Reliquary for Memories to get a decent shot of it cluding out the brilliant daylight blaring in the adjacent window, really captured the little happenstance sculpture's not-quite-random pick-up of sticks form I had to wonder if anybody had messed with since the artist put them there. Intricate, criss-crossy, busy simple contrasting striped lines and dark receiving bowl shaped valley. Oh, gosh do you suppse they're glued on?
James
Michael Starr Going to Heaven 2009 collage
on found object Another rapture with bodies suspended,
not looking all that rapturous, put me in mind of one of Dante's
falling circles of hell, the colors right for that. More like
bodies falling than floating off, despite the title.
More alarmist than joy. Somehow a little discontinuous Blake
thrown in for measure. Too much joy missing in this melange
to take its baptismal fishery religion serious, but I still like
looking at its multiple, minute tragedies.
Humberto DeGarrio Sentry 2009 forged
iron Couldn't adequately photograph Kim Cadmus Owens' dark, lush new charcoal drawings of Alamo Plaza Courts up close, the left of two large drawings flanking this crowned obelisk, both luscious and highly reflectant behind glass, but I got them mostly flection-free behind this ultimate balance, old-school simple Humberto DeGarrio sculpture, stark against the business of shapes on walls, flawed only by the i.d sticker stuck to the floor. Otherwise woulda been a hunt to find it in that big meandering space.
Rita
Barnard Spoon-fed Lies 2008 mixed
media Another convoluted political piece from Rita Barnard, rich in rust and copper, metal on metal tied with metal. Hardly even have to read the too-many tags to enjoy this involved sculpture of rounds and rectangles. I couldn't there in the dark back gallery, but probably could now string its meanings back together in my photos, but think maybe if she intended them all to be read, she'd have made them legible. I feel anger and protest in it, but it's lost in unknown symbols and all-cap demands I don't want to mess with. Intricate and of a lushness many pieces back there share. Oh. It's a beehive. I thought those were flies and some sort of honey pot... Denton artist Cat Snapp's Saints, Heroes & Understanding lithographed and silkscreened print nearby shared tones, colors and an intricacy of symbols and proscenium shapes while being altogether different, flat, framed and behind fully reflecting glass, me in there among bright white mats and frames, all dark and beautiful in rectangular glory, or I'd show it to you. Nice. A friend had reported nothing much worth seeing here, so
I knew there'd be wonder, then was startled at
the many bests in this large show's back room, and of course dismayed
at all the boring losers, lined up out front.
ADriana Martinez Mendoza Celebración
en blanco 2008 paper/cardboard This second-last piece I'll mention, a fall of clumped white tissues hanging from the ceiling, kept stealing my attention from whatever else in that lush back room, and I tried several times to capture it, into a doorway of sunlight and other distractions, would have laid on the floor photographing up but wasn't sure I could get me back up, so I just held my hands down, angled the camera up and clicked. Hard to tell what it is or why, but knowing that it is and about "celebration in white" seems right.
Bernardo Cantu The Zapotlicos Machine 2010 mixed media Bernardo Cantu's heavy-metal copper dominated texture clash machine, odd in every possible way, except it's just right, perfect in balance, hue and vividity. Zapotlicos were the polytheistic pre-Columbian Zapotec people, who believed themselves coming from the clouds, historically occupying the isthmus of Tehuantepec south of Oaxaca. Another double- and triple-take worthy piece that defies its own parts to a whole never imagined and difficult to accept, beautious as it was. A startlement of harmony and texture, probably missing its mate, strung in extreme leotard colors and shapes out in one of the discontinous hallways. This eliciting a quiet, awestruck wow. — J R Compton |
new member On
A Paper Screen - Dean
Corbitt at Mesquite
Arts Center, 1527 N. Galloway, Mesquite, Texas, up April 1, reception
4:30-6:30 Saturday, April 10, through April 30
Click members' bold links to see more of their work on their DallasArtsRevue Membership pages.
Through May & Beyond
new Labyrinth - Madeline Terry at Haley-Henman through May 1
Dogma of Color and Other Idiosyncrasies - Jason Willaford, Urbane Landscape - Liz Kerrigan at Galleri Urbane through May 1
new The Porcelain Reformation - Ginger Geyer, Landscape into Art - Kenneth Hale, Losing Ground: Imaginary Landscapes - Jacqueline Bishop at the MAC, opening 5-7 Saturday, April 10, through May 15
White Rock Lake Through the Looking Glass - photographs by Dan Richard Barber at the White Rock Lake Museum in the Bath House Cultural Center through May 27
new Shine On - Pamela Nelson, RE: Constructions - Heather Marcus at Museum of Geometric and MADI Art, reception 6:30-8 Friday, March 12, through June 6
Royal Splendor in the Enlightenment: Charles IV of Spain, Patron and Collector, Goya and Lopez: Court Painters for Charles IV and Contours of Empire: The World of Charles IV at SMU's Meadows Museum, through July 18
Royal Splendor at SMU's Meadows through July 18
Francisco de Goya Carlos IV
1789 oil on canvas 60 x 44 inches by Anna Palmer Fascinated by royal history, I happily took the opportunity to attend the press preview and tour with the curators from Spain's Patrimonio Nacional of Royal Splendor in the Enlightenment: Charles IV of Spain, Patron and Collector, Goya and Lopez: Court Painters for Charles IV at SMU's Meadows Museum. Work by Francisco de Goya, including his larger than life
1789 portrait of the king, piqued my interest and I was not
disappointed. I had recently watched the dark movie Goya's
Ghost, making
this piece even more appealing. Amused by the king's smug
expression I guessed he had won a battle with Goya
about wearing the royal crown and cape that seem to have
been thrown off to the side.
Juan Bauzil Carlos IV from Behind 1818
oil on canvas 11 x 8 inches I was drawn to oddities like the painting of the back of King Charles' head, and impressed by the handiwork of the thin, embroidered carpets, while imagining well-heeled aristocrats walking on works of art worth hanging on a wall. Items shown in the gallery drip with opulence and come with heavy history. Charles IV's reign in Spain was from 1788 to 1808 (when he and his wife were exiled by Napoleon). The royal couple collected art with a passion, and the Meadows Museum offers fine examples of their acquisitions. |
One-day & Other Events,
Performance, Tours, Talks & Video
See also Series below and the exhibitions list for more talks
and our Art Space Information Page for new or unfamiliar space
new ArtCycleTx Exchange - a day of eco-spirited recycling and creative company. Bring unused (or gently used) art-related items to this community event. Be inspired by the possibilities, share ideas on what to make from a large variety of items. You may also donate items for the Free bins (free pick-up available) or set-up a vendor space for $15. E-mail artcycletx@gmail.com or call 214 839-7689 to reserve a spot. More information at ArtCycleTx.blogspot.com, 235 Murray Street, Dallas, TX 75226, between Commerce and Canton, 10-5 Sunday, March 14
new Art for Darfur Preview Night fundraiser in the Hughes-Trigg Basement at SMU, 3101 Dyer Street, with a performance by Dallas Black Dance Theatre and art by students of Rice and Hotchkiss elementary schools, 7-9, Saturday, March 20
new VSA arts of Texas (The International Organization on Arts and Disability — for people with disabilities to learn through, participate in, and enjoy the arts) - Andrea Beleno speaking about Basic Legal Issues for Artists and Microentrepreneurs at the Latino Cultural Center, 2600 Live Oak Street in Dallas, 9-11 Wednesday, March 24, This is a free and inclusive workshop, appropriate for artists with and without disabilities. To register, contact Lynn Johnson at lynn@vsatx.org or call 1-866-489-8412.
new Pacesetters in American Art and Culture - a panel discussion featuring Kimberly Davenport, Director, Rice Gallery, Tyler Green, Art Critic, Modern Art Notes and Sedrick Huckaby, Artist and Art Professor, University of Texas at Arlington, artists who found success in the visual arts as young adults, and discover how they continue to keep the creative process alive as their careers progress.
This program also includes a look at artists featured in the exhibition American Moderns on Paper: Masterworks from the Wadsworth Atheneum Museum of Art who excelled at a young age, including Stuart Davis and Jacob Lawrence at The Amon Carter Museum, Fort Worth, Texas. A reception follows the program. Reservations required, 817 989-5030 or education@cartermuseum.org, 6-7 Thursday, March 25
new Ultra Xtra Arts Mix - a future-themed fundraiser for the Greater Denton Arts Council at Center for Visual Arts, 400 E. Hickory, Denton, Texas, live music, dance, film, interactive art, visual art and theater, $15, 940 382-2787, 7-11 Friday, March 26

Jackie Jung Fish Formation 2009 acrylic on canvas 21 x 17 inches $250
new Planned Living Assistance Network fundraiser at Continental Lofts, 3311 Elm Street, Dallas, Texas, approximately 30 artists including JeanE McIntosh, Chong Chu, John Christian, Claire Christian, Lise Dearborn, Martha Durbin 6-9:30 Friday, April 23
new Wish '10 Art Auction at Dallas Contemporary, Premier Peek 7-10 Thursday, May 13, Auction 7-11 Saturday, May 15
Classes
Paper Works by Paper Nerds - Flip books, 1-4 March 28, Paper marbling, 1-4 April 25, Screen printing, 1-4 May 23
Schools & Universities all have classes, and they're
listed on The Schools page.
Dallas Artists Out of Town
Send us your out-of-town art show info per the pink box on the bottom of this page of this page.
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TJ Mabrey Sliced Okra at the Lady Bird Johnson Wildflower Center in Austin, Texas
member Anticipation - TJ Mabrey and Eliza Thomas at Lady Bird Johnson Wildflower Center's McDermott Learning Center in Austin, through March 7
Click members' links to see more of their work on their DallasArtsRevue Membership pages.
THIS
PAGE: Exhibitions Events,
Tours + Talks Outta Town
OTHER PAGES: Gallery
Information Museums & Art
Centers Schools & Classes
Community
As always on this site, comments are by J R Compton, owner and publisher of DallasArtsRevue. The opinion parts are usually rendered in gray text:
Intersting that of the three artists recently touted by Haley-Henman Gallery, all three are DallasArtsRevue Supporting Members. As previous reported here, Susan Lecky is on June Mattingly's blog that went up February 5, Jerry Lee Dodd's Tether was selected by the Lampasas Association for the ARts to show in their year-long exhibition, Art in the Park 2010; and Studio Visit Magazine selected Esther Ritz' Lost Dreams (third down on her member page) to be in their 2010 Summer Edition of that juried publication that introduces work to a serious national audience. We should probably mention that several other DARts Supporting Member Artists are also often featured in H-H exhibitions.
Click members' links in bold to see more of their work on their DallasArtsRevue Membership pages.
Big-time New York graphic artist Milton Glaser on What is Art, and What is Not? including his Advice to Young Artists and other topics. Thanks Fannie.
Juanluis Gonzalez installs work at Henderson Art Project (Facebook).
Story on NPR pits Fort Worth and Dallas' so-called arts districts, happily ignoring Dallas and Fort Worth artists, of course. I couldn't listen to the whole thing for the smarm and stereotyping them big city boys gush on us and our sister city to the west... –JRC
She got it moved to Glass Street near the Trinity River, now Dallas Contemporary Director Joan Davidow is retiring. Read the following press release with a boulder of salt. I always have to wonder what planet these people are from. They don't know who they are or where they are going. Except where they lie again about their founding, the following is verbatum, and the punctuation and grammar is all their own:
"Dallas, TX - February 17, 2010 - Dallas Contemporary today announced Joan Davidow will retire from the position of executive director effective May 31, 2010. The institution will shortly begin a national search for a new director. Davidow will continue in a consulting role until the end of 2010."
It is interesting to this curious student of local art organizations' histories that after claiming that Patricia Meadows alone founded that group in 1980, then that she and Judy Smith Hearst founded the group, the board of directors of the Dallas Center for Contemporary Art, more recently known as The Contemp — though many of us just call it The Contempt, because it has ignored its founding purpose, to create an art center for Dallas artists and craftspersons, while refusing to show local artists who have not achieved stardom — now cites that it was "cofounded in 1978 by Patricia Meadows and two [unnamed] arts leaders."
In 1978 there was no D-Art. There was only the Artists Coalition of Texas (ACT), the organization that Mary Wachoviak Ward approached to help her sent up a center for Dallas artists. ACT became D-Art. Although Patricia Meadows was clearly instrumental in popularizing the organization and worked tirelessly in its behalf later, she did not found D-ART. Mary Washoviak Ward did.
Ward was fired in 1982. See DallasArtsRevue writer Julia Frazier's interview in 1982 with Mary Ward after she was fired.
See also the Index of The History of D-Art stories on DallasArtsRevue.
Veronica De Anda Tosten died Wednesday, February 3. Her husband, Erik, said that it was "after a six-year battle with pancreatic cancer. It was a long and painful struggle, and its a comfort to know that she is now free of her suffering. She was an artist, wife and good friend." Veronical wrote the following eulogy that was presented at the memorial service February 13 at 500X:
"This of course wasn’t easy to write, but, heck, at least I didn’t have to read it aloud in front of all of you. By the way, thanks for coming. I appreciated everything you did and continue to do for me and Erik. I feel so fortunate to have had such a wonderful family and friends. You all made my life rich and exciting and worth living.
I always said that attending UNT was the best decision I made and I meant it. Besides meeting the love of my life there, I made wonderful life-long friends (even though my life was not as long as I thought it would be, go figure).
But, enough about you all, this is about me, and how great I was, right? Erik said I was a great artist and I couldn’t argue with that. Almost each artwork I made was praised and lots of it sold, too. Even though I was shy. I wasn’t afraid to express myself through my art.
What else … what else … oh!, even though I was short, I still looked great in my leather boots and form-fitting dresses.
Well, the good thing about my life being so short is that I didn’t have time to make any major mistakes or have many regrets. Of course I regret that I was not able to grow old with Erik, but he’s a great catch and will make a great husband again some day. Especially now that I’ve smoothed out all the rough edges. I hope his next wife likes beards.
The best I can hope for now is that my body, which I’m donating to medical science, helps others live longer, healthier lives. I also hope that at least some of my viable organs like my eyes can be reused, too. That would be kinda creepy and cool, for someone to be walking around with my eyes. Anyway, I hope you all consider checking that organ donor box on your driver’s license and donating your body to medical science as well. Thanks."
Dallas artist Pat Forrest died on January 30, 2010. Details of a scholarship in her name to come.. She requested there be no memorial service.
Randall Garrett on Art in Dancing Ganesha
member Kathy Robinson-Hays is in issue 84 of New American Paintings, where each artist gets three images, bio and small photo. Recurring Dreams 1, 3 and 5 on her member page are included.
David Hickman on YouTube.
Centraltrak's founding director Charissa N. Terranova, PhD, has announced her resignation from that institution. Her replacement — if that is even possible — is Kate Sheerin, whom San Antonio's Witte Museum calls "an expert on early Texas Art," will be the new director of the University of Texas at Dallas art residency program housed in a building beneath elevated Central Expressway in Deepest Elm, near where the depot of the Houston and Texas Central Railroad tracks used to be.
As Terranova states in her public resignation letter PR, she brought artists from "France, Germany, The Netherlands, Argentina, Russia, Mexico, Israel, and Saudi Arabia to work in our avant-garde compound on Exposition Avenue." Her stated reason for stepping down is to "focus all of [her] energy on teaching at the university and [her] scholarly writing, in particular the completion of [her] manuscript Automotive Prosthetic: The Car, Technological Mediation, and the Conceptual Turn in Contemporary Art."
Terranova "will continue working at UTD in the capacity of full-time tenure-track assistant professor," and in the best news of all to Dallas artists, she "will also continue work as freelance art critic." Hooray for that! We need her unfettered art opinions, despite the complicated Marxist theories. — J R Compton
More, Older News is
on the News
Page.
Series/Ongoing
Free Museums
The Nasher - 5-10 pm Thursday nights and 10 am till 2 pm on the First Saturday of each month
Entrance into The Dallas Museum of Art is free - First Sundays and 5-9 every Thursday, although some shows still cost.
SMU's Meadows Museum is free after 6 pm on Thursdays
Tours & Series
Dragon Street galleries and shops remain open til 8 pm on First Thursdays
Exposition Avenue First Thursdays - On the First Thursday of each month galleries along Exposition Avenue (from Fair Park's main entrance up to 500X) has a First Thursday Night. They invite the community out to enjoy art, food and drinks on the Fist Thursday of every month. Involved are Van Ditthavong, 832 Exposition, Canvass at 824, the Art Club at 823, Expo Park Cafe at 841, Daddy Jack's at 3106 Commerce (more than a little walk away),
A free walking tour of our so-called downtown Arts District at 10:30 am First Sundays (and parking meters are free), meeting at Olive and Flora.
The Uptown Off the Wall gallery stroll is the first Friday of every month, when all participating galleries, museums, bars, antique and map stores and restaurants stay open till 9 pm. For full info, visit the Near North Dallas website.
Norwood Flynn presents Artful Wednesdays, open "late" till 7 pm Wednesdays in March for wine, cheese and, one supposes, art
Sketching in the Galleries/Life Drawing
Drawing from the Masters - for adults and students ages 15 and older, drawing materials available, attendance limited to 20 on a first-come, first-served basis, Meadows Museum, 5900 Bishop, SMU campus, free with admission, 214 768-4677, 1-2:30 Sundays, March 14 and 28, April 11 and 25
Life Drawing at The Cedars (1114 South Akard Street, 214 421-2982) 7-10 Thursday evenings and 1-4 Sunday afternoons. $20 each. "no one is too inexperienced to enjoy the experience."
7-8:30 Thursdays at the bof Asian Art; 7-8:30 Thursdays at the DMA; and sketch works from the permanent and special collections at the Meadows Museum. Visitors 12 and up, open to artists of all abilities. Paper and drawing materials provided. Free but reservations required 214 768-4993 beginning one month in advance.
Lectures
Artist lectures At the MAC Wednesdays at 6:30 but check with them first.
Dallas Architecture Forum has lectures but changes the times and dates faster than i can keep up.a
Some Art Talks are listed with their exhibitions. Many area art galleries
are listed in Art Space Information or the Museums and Art Centers pagesDallasArtsRevue Resources include geographic, phone and link information for area galleries and other places that show art, museums, schools and visual art groups and HOW TOs including How To Start Showing Your Work, How to Design and Distribute an Invitational Post Card and How to Photograph Art, among other topics.
Other Places
Many art venues have so much going on we could never catch up, so we link their sites, and you can discover for yourself.
museums
Amon Carter (current exhibitions), Crow Collection of Asian Art, Dallas Museum of Art, Kimbell Art Museum, Meadows Museum, Modern Art Museum of Fort Worth, The Women's Museum. All of Dallas' best art museums are in Fort Worth — except the amazing MADI. — JRC
More information about area art centers and museum on our Museums & Art Centers page.
other
Dallas Architecture Forum are often doing something, sometimes really interesting, but they're expensive and their events are primarily for their membership. We usually avoid groups' membership-only events.
Shows with a
are probably more interesting, but I often do not get around to using it. From here, short reviews go to the Short Shows 2010 & old news goes to the old news page Red quotes " indicate a quote from another source, usually the gallery. Unless noted, images are from postcards or email attachments (greatly appreciated, unless it incorporates words, which are difficult to squeeze out.)
Send your information in this precise order, in one paragraph, in the text of an email:
Show title, names of all artists in paragraph form separated by commas [but with "and" before the last one], gallery name, opening times, date, month, year, through closing month date (not year)
Use the following example for your submission:
new Channeling Other Worlds - Valton Tyler at Valley House, opening 6-8:30, Friday, January 22, through February 20
Your submission must include names of all artists in the show.
DO NOT USE ALL CAPS. No abbreviations anywhere.
Include address only if your gallery is new to DallasArtsRevue — it is not already listed on the Gallery Information page.
Attach up to a 5 x 7-inch JPEG of art that is in your show — with caption in the following order:
artist title year medium size
Use the following example for your image caption:
Glenn Barr Idyll 2009 acrylic on board 42 x 16 inches
Do not include any punctuation or spacebar spaces in image file names.
Send all information in the text of an email to graphicanna@sbcglobal.net
Thanks,
Anna Palmer
Assistant to the Editor
• since mid-April 2009