No one here gets paid, so
don't ask for a job.
We won't do your research or find
a place to show or sell your art. That's
your job.
We provide information. You do your
own due dilligence. Your own Dada duty.
Current DallasArtsRevue
Supporting Members are the only artists we keep up with. We
do not keep up with artists mentioned on these pages.
If the story mentions a gallery or art space, contact them instead.
If you lose an artist, go to the Lost
Artists page.
My standard reply about the value of any art
is that it is determined by what you can get for it. There is
no instrinsic financial value of art objects, gold (the price
changes every day) or pressed latinum.
Submission
Guidelines just above or on its own page.
Show your fancy JPEG documents
with all the pictures and words stuck forever in pixels to your friends. For
publication here, paste
your information as text in the text of an E-mail, and E-mail
it to me.
You can add images in there, too. But not images of the
words we need, like dates and artists' names. When we create calendar
items, we cut from emails and paste the information on the calendar page.
If we can't cut and paste it, we'll delay retyping it.
Name
email subjects and attachments intelligently. We get a dozen "Press
Release," "art" or "Art Show" attachments
a week. Which show? What artist? Be specific. Or your information will
get lost.
If your request for a Link Exchange does not
involve a site related to art, especially Dallas art and artists, we
will not reply.
How to submit Calls for Entry,
jobs and competitive exhibitions is on top of the
Artists Opportunities Page.
Instructions for entering (everybody
gets in) our Online Self-Portrait
Exhibition are on that section's index page.
Instructions for Becoming
A Supporting Member of this site — and getting up to 2 member
web pages and have your name linked to your member page every time you
inform us that you are in a show or art event — are
on the How
to Join DallasArtsRevue page.
Unless you are a close personal
friend or a Supporting Member of DallasArtsRevue, sending me a personal
invitation is a waste of time. When I need to look at art,
I look at the DallasArtsRevue Calendar page
or listen to Anna, who manages that page. If your show is not listed
there, I won't know about it.
If you expect me to see your art, follow
the instructions in the pink box above (The Easy Way).
When I want to see art, I want to see art my readers can see, too.
If I don't like it or it doesn't pique my interest
or attention, I probably won't write about it. I used to, but I don't go
out of my way to say something negative anymore. If it's in my way though,
or I'm reviewing the whole show, look out.
Generally, the words "I" and "we" on this site refer
to the founder / Editor / Publisher and CMFIC J R Compton
