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art news, views & reviews in Dallas,
Texas, USA
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Since Google lists this page first in searches for EASL spelled-out, here's EASL's website when it doesn't load, try the DARts EASL page.
| Contents | |
| Links to the latest stories, as well as recent stories and ongoing features | |
| Dallas' most oft-updated calendar of visual art — lists every Dallas and Texas artist in every show | |
| more than just our E-mail | |
| Pages of art by the artists who financially support DallasArtsRevue | |
| How to Send Us Stories, Images and Publicity | |
the easiest way to find anything on this site. |
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| What readers write - pro and con | |
| The Emergency Artists Survival League provides limited, emergency financial assistance to North Texas visual artists and visual arts professionals facing medical crisis, accident or loss of personal or professional property. | |
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Indexes + Subindexes |
| major indexes in bold | |
| An often updated, comprehensive link list of stories and critiques about Dallas art and artists | |
| An index of all the times I have explained how sometimes I get fed up with art and have to go off and do something else. This page also indexes all the mentions on this site of not just my lack of objectivity, but in my total disbelief that anything like objectivity exists anywhere ever. | |
| Once this was a comprehensive, site-wide link list of artists mentioned on these pages, but it has since been abandoned. | |
| Talking with artists about their art and their world. | |
| Some special artists worth watching — outdated | |
| Don Mangus' comix from early DARts magazines | |
| Stories that could only happen in one place | |
| Stories & pictures from DARts on paper 1979~1996 | |
| Histories and stories about The McKinney Avenue Contemporary | |
| A complex history of truth & fiction | |
| First-person experiences and community reviews | |
| Stories by and about former DARts contributor, nationally-recognized poet and art critic | |
| with artists and others involved in the Dallas area arts community | |
| Literary and other works by the late Dallas poet, performance artist and founding member of Victor Dada | |
| Art in the editor's personal collection | |
| Literary writing on DARts, including | |
| The DallasArtsRevue Literary Review | |
| Frank little chats about what's going on on this site, and what The Editor is thinking about doing next, usually involving feedback from members and subscribers and future show ideas, all tied together with photos of some weird sort. | |
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Last Century's greatest art form — visual art, but not necessarily Dallas |
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| Other stuff, including personal and family pages | |
| The public doesn't make art, but we see a lot of it out there. | |
| Communities need resources. | |
| The index of DARts Art Criticism. The most comprehensive list of stories on this site — a good place to start. | |
| Our on-line Self-Portrait Show that's open to all | |
| Reviews of specific shows | |
| Magic and pagan and personal stories — including some Transition stories. | |
| Small Sculpture in Texas - 3-D art from the past | |
| Art on the move | |
| an index of stories about the first DARts show | |
| an index of stories written for The Dallas Observer and later, about the Dallas Art Scene as if it were written for the DO. | |
| visiting artists and other spaces | |
| Writers | |
| index of Michael's stories | |
Jim
Dolan |
Index of Jim's stories |
| our newest contributor | |
| index of Kathy's stories, including the Raynette & Vernon stories | |
the late Gerald Burns |
Stories, poems & illustrations by and about national award-winning poet, art critic, illustrator and friend |
Ken Shaddock |
The Elbow of Art |
| Lilting short short stories of frogs and homeless and art | |
Jaya Wagle |
The Mad Teapots of Steve Benezue |
Anne Gordon Perry |
Inducing a Passion for Art |
Most of the other |
stories are by J R Compton |
Popular
Features |
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art shows, lectures, short-term events |
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| usually first-person singular (sometimes plural) experiences with art in Dallas | |
ACC |
Aesthetic Crisis Center — internet pages with fine art, animation, interaction, funny or political content |
Art Ops |
Artists' Opportunities — jobs, competitive exhibition listings, etc. On DARts, these two feature come in two flavors each:
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An annotated, linked list of Dallas Visual Art Groups |
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| Lake Journal — photographs of our inner-city lake | |
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Links |
Dallas + Texas Artists with Web Pages |
| of Dallas Arts Revue | |
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Members-Only Pages |
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Only Supporting Members and DARts Subscribers have User I.D and password access to Members-Only Pages, although we maintain limited versions of the most important M-O page: |
| Wherein the editor tells the members what's new & where it's at | |
| Jobs, competitive exhibitions and other financial or exhibition opportunities.This page alone could be worth your DARts subscription or membership. | |
| Contacts, E-mail & other press lists | |
| Views & HOW TOs | |
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How to |
Start showing your art |
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How to |
Submit info and images to DARts |
How to |
Help Support This Site |
How to |
Design & Layout Invitational Postcards |
How to |
Photograph Art |
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Dallas Artists |
An accumulation of short reviews |
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Support DallasArtsRevue |
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Help this online magazine survive by becoming a Supporting Member or DARts Subscriber When you join, you get 1 or 2 web page(s) with up to 6 images (7 when you resubscribe) and plenty of text, access to all DARts pages - including our password protected members-only pages:
Exhibition opportunities in DallasArtsRevue art shows like our 1026 Tranquilla and future shows, maybe one at the Bath House in 2005. occasional Midnight Rambles from the Editor, participation in the decisions that help DARts grow, and other benefits How and why to join Dallas Arts Revue is explained in depth on the How to Support DallasArtsRevue page. The DARts Member Index page links all of DARts' diverse Supporting Member Pages. |
| DARts Color Coding | |
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High pink is for dates, times and deadlines. Dark red is titles, exhibitions and publications. Gray is for our opinions, which are often indented and captions. Green is cost, cash, awards and point-to locations this bright red is saved for attention-flagging notes and/or "confusing" punctuation. "Text enclosed in bright red quotation marks indicates words we do not wish to have credit for... Stuff we are quoting directly from the source — not anything we would have said ourselves." |
All Contents © 2000, 2001, 2002, 2003, 2004, 2005 by J R Compton. All Rights Reserved. Commercial use or redistribution in any form, printed or electronic, is prohibited. But it is perfectly fine to distribute our URL — http://www.dallasartsrevue.com