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August 2002
Last Updated Monday, 28-Apr-2008 12:55:00 PDT
Other Rambles
are listed on the
Ramble Index
Hand-struck Early Greek coin from a
fiercely independent city / state
August 2, 2002
I am writing this to you from a state of penury, just southwest of White Rock Lake. My part-time, gallery boss skipped the country, did not return on July 1, as scheduled, and will not until mid-August. It was a sudden and shocking discontinuity.
When I complained, he simply said I should "get an additional gig." Unfortunately, I already have an additional gig. This one. Which I would rather do than anything else. Except, of course, that it doesn't pay much. Yet.
I could get another, paying gig, of course. Probably. I'd hope. But it'd be a long time -- before I'd have the energy to do both full-time jobs. My publication schedule for Dallas Arts Revue on paper was about two issues a year. I called it a quarterly.
In years past. Before I put DARts online. I kept several free-lance positions open. But I let those slip away, as I concentrated on this, this... this DallasArtsRevue online. Balancing a precarious balance with my once a week job shooting digital photographs and producing and updating web pages for the Dallas Dance Council.
By keeping my expenses low. It helped immensely that I paid my mortgage off in 4 years and 3 months back in 1983 -- when this house in this noisy ethnic neighborhood was only $23,400. And living just below poverty level, I've been able to manage for the more than two years I've been publishing DallasArtsReuve.com.
When my boss didn't return on time, I came back from a gentle vacation in Angel Fire all rested and ready to go back to work. Instead, I fell too soon into bouncing checks and minus balances. My delicate financial balance was undone. I nearly came unstrung.
Clay Crandall
How to create this oragami box
Thanks so very much to the members who joined this month and last, and the two artists and one gallery who responded to my plea for free-lance digi-photographing. You were truly life savers.
Not surprisingly, I am now considering the money-making possibilities of publishing a dot com art rag. The Dot Com boom may be bust, but I think I can turn this thing around.

It has been suggested -- Don't you just love the passive voice's wonderful possibilities to lay blame on some unseen entity? That I require some sort of membership to access some or all of the valuable resources on DallasArtsRevue.com.
Gosh. It was so much easier to be anti-capitalistic when I wasn't broke.
I love the idea of sharing information. It's very much like we used to do with the Underground Press Syndicate, a loosely-knit, to each according to their need; from each according to their ability, info exchange set up among underground newspapers in the late 60s. It was a lovely, anti-capitalistic concept.
And one that almost entirely ignores the facts that not only are a lot of people earning their living engaging on the World Wide Web, and that most people pretty much have to pay their own way through life, anyway, but that I desperately need to connect the cash und arbeiten dots. Here. Soon.
Burning Questions
So, once again, I am coming to you, the DARts Supporting Members. You who collectively pay DARts' way onto the Internet and beyond. Who each have paid your annual member fee. Whom I depend upon to answer life's persistent questions.

Clay Crandall
Oragami
Money Spider for
the Web
- Should I charge for access to special pages on DallasArtsRevue.com?
- Which pages would that be?
- The calendar?
- The Opportunities page?
- Would anybody pay to acess my critiques?
- Should I charge for access to all pages on DallasArtsRevue.com?
- Should I, instead, charge more for memberships?
- Does anybody have any ideas?
I'd love to hear from you about this.
And...
When you joined, I promised a yearly meeting somewhere.
As you can tell from the above, I cannot afford much in the way of a meeting place. But this house is paid for, and I used to have a big party every September.
- So, would you like to meet here the evening of September 21, then party after?
- Would you be willing to make a pot-luck party of it -- each bringing 'something to eat?'
- Or would you rather just meet somewhere public, discuss stuff for an hour and a half, then be done with it, and go off on our merry ways?
- Where? I doubt D-Art would be open to the idea...
I'm open to any of these possibilities. But I've had potluck parties here in lean years before, and they were all pretty marvelous. Kathy and I would be happy to have a party at my house. I'd even clean my house ( !!!! ). Many of you we already like. We'd love to meet the rest.

Then there's that other one other promise I promised when you joined.
Eligibility for a Dallas Arts Revue exhibition.
Enrique Cervantes of The Bath House has asked me to submit proposals for exhibitions there. That's my favorite gallery in Dallas, and it's the one place I most had in mind when I conceived my concept for a DallasArtsRevue.com exhibition.
I just re-read that rant. There's a lot of good ideas in it.
- What do you think?
I especially like the Salon de Refuse idea, which is utterly perfect for the Bath House's back room.
I should note that I'm also going to propose an exhibition of the best of my White Rock Lake Journal photographs there, where it would be most appropriate.
But back to the first-ever DARts Exhibition...
The question
is... The questions are

- Should only DallasArtsRevue.com members be eligible for the DARts exhibition?
I think so. Definitely. Of course. But I'm curious what you think.
- What's a fair entry fee? I'm thinking $30 per entering artist.
- Should it be more, if we allow non members?
I'd like to ask for up to five or six slides.
- Is that too expensive an undertaking?
I'd also like to offer the alternative of E-mailing digital images, instead of slides. Eventually, that way will be much less expensive, and a lot quicker. Now, it would just be a technologically appropriate experiment.
- What do you members think?
I know it's early yet, to be requesting digital submission entries, but as an alternative to slides, why not try.
- Would you enter such a competitive exhibition?
- Would it be okay if Kathy and I were the judges?
We'd love to. I've also considered asking some other people, but I doubt we'd be able to pay. I don't know yet what are the Bath House guidelines on charging for shows.
Well. That only rambled just a little.
But it covered a lot of territory. I'll try to find something, anything, to illustrate this page.
( On a lark, I looked up "money as art" then "art as money" on the iNet via Yahoo's expert mode for an exact phrase match. Click each picture to visit the explaining web page where I found the monetary image.
Then some midnight very soon, I'll post E-mails to all of you about this page's existence.
Then, I'll sit back and await your opinions. Please send me lots of those. I need 'em.
Thanks,
; j r

Punches for Stamped Paper, 1819
used to indicate that the duty on official and
private documents was paid.
From the Great Minds Flow in the Same Gutter department...
See Kathy's Feedback-requesting From the Studio column #2
now on The Cover
but eventually to move to its permanent
location.
Note: This page will change name
and Web location when it becomes
public in a couple weeks. Please
don't give out this address.
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