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May 2003

Story + Photographs by JR Compton

See the June Ramble with 2 more new DARts show ideas  right arrow „ the next page

on another page index of JR's Rambles     below Feedback below

Photographs on this page:
Maat Before Thoth   Relief of Amum   Thoth as a Baboon   Amenhotep   Osirus Resurrecting

Pyramidion of the royal scribe Amenhotep-Huy reign of
Ramesses II, 1279-1213 B.C. Sakkara, granodiorite

Like the other images on this page, it is in The Quest for Immortality, Treasures of Ancient Egypt at the Kimbell in Fort Worth.

Help support this site. Become a Supporting Member to get your own web page, entry in DARts shows and full access to all Members-Only pages — including our ever growing and changing page of artist's opportunities for only $65 / year.

 

A Potential Exhibition Possibility

I haven't heard from our real estate benefactors in awhile, so I've been thinking about other venues for a DARts Exhibition.

The easiest one yet, started happening months ago when Northwood University in Cedar Hill's James Martin E-mailed me about needing shows for his gallery. That notice is still posted on the M-O Ops page. It will probably happen next September, when Northwood students return to classes.

I told him, "essentially, it would be a DallasArtsRevue membership exhibition. I don't know who would participate, but it would fit well within our "tradition" (all of one show, so far) of being the youngest established floating art game in town."

He liked the sound of that. He said, "Your idea for a show sounds interesting. Please follow up with me on artists and interest." Which is what this Ramble is primarily about.

I also asked what his gallery was like..

Maat Before Thoth, god of scribes, as an ibis
c. 664–332 B.C., wood and bronze

 

"My gallery area is essentially a long hallway with track lighting. There is probably 50 ft. of exhibition space on each side with 2 or 3 breaks for door entrances. We have grids that are on the walls and triangular grids which can be moved around to suite our tastes and a lot of artists like to use them to spice up the appearance of their collections and exhibits.

We have security cameras to watch the artwork and the building is locked nightly after evening classes (around 9 or so) and is also locked on Sunday and part of the day (the evening) on Saturday."
 

 

Sheila Cunningham's slides should give you
some idea of what the Northwood space is like.


I still don't know what are the grids he speaks about or how they work. Maybe someone will explain it to me.

I suspect their shows would continue for about three weeks (already seven times longer than the Tranquilla show) and might include some sort of lecture and certainly an opening. I love the idea of spreading the DARts gospel to students.

Apparently they will print and mail out invitational postcards, although we may have to design them. We might even get to have some sort of informal artists' panel.

I know from nothing about Northwood, and still have plenty of doubts, but I thought I should proffer the suggestion. I also suspect we could refine this show at one of the DCCCD campuses later on.

As usual, I don't want to put in just one piece from each Supporting Member. I'd rather we showed three, to give enough flavor so visitors — mostly students — can discover each artist's oeuvre. If it's a popular idea, someone might have to jur the work.

Are any DARts Supporting Members interested in showing in this possible DARts show?

See related concepts explicated in the official DallasArtsRevue Membership Exhibition proposal to the Bath House this year. See also a discussion of another still potential DARts show in the last Midnight Ramble.

Relief of Amum (outlined detail)
reign of Thutmose III, 1479-1425 B.C.
Thebes, Deir el-Bahari
Temple of Djeser-Akhet
painted limestone

Ch-ch-changes

The number of visits to "the cover" dwindled seriously the first part of this year. But the number of visits to Membership Index page has more than taken up the slack.

Ever the follower of fashion and statistics, I've changed the cover, so it now looks like an actual cover, with all the blurb/links to everything important (well, a lot) inside. And I change up the Members Page every couple of weeks, like I used to do with the cover, back when it was a repository for stories.

I am utterly astounded at the popularity of the Membership Index page. Somebody popular somewhere else on the web must have a link to it, but I don't know who or where. I'm delighted that the people who actually pay for and support this site are getting a lot of the glory right now.

Please, if you're showing your work anywhere, no matter what the venue — or you win some accolade (like David Hickman getting named The Texas 3-D Artist), let me know, so I can steer more visitors to your member pages.

Speaking of which, you should know a few other things about the current version of the Membership (index) page.

Listed after each Supporting Member or DARts Subscriber's name is a tiny date indicating when your membership is up. This is a lot easier for me than sending out notices in a timely fashion.

Good bureaucrat, I'm not.

Thoth, god of writing and knowledge, as a baboon
New Kingdom?, 1550-1069 B.C.
sandstone

Also, under the index list is a Top 20 that I update about once a month, showing whose page(s) are the more popular among all of member pages.

Thanks to several of your suggestions, these Rambles are no longer Members-Only (M–O).

Please, if anyone has any other suggestions, E-mail them to me. I thrive on changing this site. Feedback is listed below.

I have lately added several new opportunities to the M-O ops page, and made several updates to the Gallery Information Page. I've already fixed more than several dozen bad links on important pages. That was sure embarrassing to have so many bad links.

I've created a new, custom 404 page (you've probably seen it already, but if you really want to see it again or for the first time, just type http://www.DallasArtsRevue.com/anything else that comes to mind that's not already an actual page here), so when people get there — page not found!, they have a variety of pages to choose from. It's like a junior version of our Index page.

There's no longer a picture there, in the hopes that the page downloads ferociously quickly. As Steve Jobs (Mr. Pixar and the founder and savior of Apple Computers) used to say, "wicked fast."

And it seems to be working. The average number of page views has risen from one to 1.6 and lately to two whole pages, meaning a lot of the 404ed masses try one real page address, too.

Overall, despite some ebbing and flowing among specific pages, DARts still gets just at 30,000 separate visits a month, although the average time spent on this site has come down lately.

Oh, and I changed the color of time — the pink I used to use to denote dates and times was too much like the red I use(d) to mark titles and publications, so I changed it to a more noticeably different pink.

Another something I learned this semester (though not all at my Web Development class at El Centro; I've also been reading lots of good books on the subject.) — is that colors should be discernable, even by people who are color blind.

Of course, I'm not, so I still don't know if the new pink helps all that much, but I like it better, as it confuses me less. And that's progress.

One, experimental part of this particular Ramble, is that, although I linked it from the cover and the Quest for Immortality revue on the calendar, I have not and will not for awhile, notify the members and subscribers of its existence.

Just to see who's paying attention.

Amenhotep, son of Hapu, as a scribe
reign of Amnhotep III, 1390-1352 B.C.
Thebes, Temple of Karnak
granodiorite

Old Friend

Finding Amenhotep, son of Hapu at the Kimbell was like seeing an old friend. I knew there was something strongly familiar about him, but it took several minutes of staring at this bigger than life-sized figure before I finally recognized him.

He's the very guy former DARts comix artist Don Mangus used to create his Give So Art May Live cartoon I've been using for the past 20 years to help gather DARts on paper and online subscribers and other supporters.

Check him out in all of Mangus' glory and my own, misdirected, hand (Photoshop) coloring at the bottom of the DARts Index Page.

 

Networking + Re-upping

I'm underemployed again, so if anyone knows someone who needs or wants help starting or keeping going a web site or needs digital photography, please E-mail me.

Meanwhile, an amazing high percentage of you are resubscribing, and I thank you so very much for that. Of course, it is pretty much the bargain of the century to not only get a web page with what you want on it (within restrictions), but to have someone promote it regularly. But I'm still very appreciative.

Thanks, gang,
; j r

(Now begins the task of finding illustrative photographs for this page. Lessee, what have I shot lately that was not at White Rock Lake...? ) Oh, yeah. Egypt Meets Forp Woof! Perfect. Wow! That was quick. I started this page only late this evening. First place I looked at recent photos was surprisingly apt and appropriate. Love the scribe as babboon...

It's now, I think, finished (even spell checked), and it's only 3:10 ayem.

Talk about timeless art.

All this wonderful art and a download time of only 13 seconds. Pretty quick for a Midnight Ramble...

Osirus resurrecting
Twenty-sixth Dynasty, 664-525 B.C.
Horbeit
gneiss, with a headdress in electrum and gold

Support this site.Become a Supporting Member to get your own web page, entry in DARts shows & other benefits, or sign up as a DARts Subscriber for full access to all of DallasArtsRevue's information pages.

Most recent letters are on top.

On June 9, I wrote to James Martin at Northwood asking:

So far, the artists who have shown interest in this show include Nancy Ferro, Robert Berry, Chris Fulmer, Elisabeth Schalij and me. Others would probably sign on once we get it going, have a calendar, etc.

When might it be possible? What rules and regulations do you have about shows there? Would it be possible to hang art salon style, or does it all have to be lined up in one neat row?

He responded:

No rules about the exhibit. We can do pretty much what we want. I'm very excited about the interest in the show. For something this big, I would like to do it right when school starts again in the early fall. Probably around the first of September. What do you think? Talk to you later.

James P. Martin
Director of Arts and Activities
Northwood University
 

J. R.
Northwood Institute is affiliated
with the business school of the same name in Michigan (?). The art program was supported by people like Betty Murchison and Evelyn Lambert. I think Chapman Kelly was involved and I know that Bob Wade taught there. As you can imagine with Bob, it was a very lively program. The art program later moved to an old house on Gaston (?). I haven't heard anything about the program there in a long time.

Paul Rogers Harris

I looked at the space and talked with James Martin. I was going to have show there in the fall, but it looks like I will have one at Northlake, which would be better. I would rather participate in a member show at Northwood. I like James Martin, very enthusiastic. Hope we'll go ahead with it.

Elisabeth Schalij

I wonder whether we might be better off attempting to have our next group show at one of the DCCCD campuses instead. They're closer, much easier to find, more established as places where people go to see local art, so more likely to draw more than a purely student audience, and they are generally open to show proposals, although perhaps more booked than Northwood. Certainly, several DARts Supporting Members work at DCCCD. what do they (you) think? -JRC

 

Here are the slides from my show, Near And Far at Northwood University's Butler Gallery in January 2003.

I enjoyed working with James. He was very enthusiastic and really wants to expose the students to art. He wanted the artist reception to be on a week night, so the students could attend, but only a handful did. They sent out postcards for me, but that far from Dallas, on a Thursday night, I didn't expect anyone to make the trip. And no one did.

He was a little anxious that people weren't coming and wanted to know if anyone from my list was coming. They had sent up a nice table of food, and the students that came were really nice... [My] Northwood experience was very positive, and I would do it again.

Sheila Cunningham

 

The Northwood exhibition sounds like an interesting possibility. I enjoyed working with folks at the Tranquilla exhibition and will gladly help again if we decide to go for it there.

Chris Fulmer

 

I like the idea of the Northwood Show. I recently did a show at Tarleton State College in Stephenville. I had a blast and the students were excited and enjoyed the show as well. I even sold a couple of paintings.

That show lasted a month so the students and faculty had a chance to see it. The comments were very positive.

Thanks for getting my Darts pages up and running again. I missed it. Thanks for keeping us out there.

Robert Berry

 

Northwood sounds very good. I am interested in being part of that. Tranquilla sure sold quickly after your exhibit. They (the realtors)should be thinking about that again! Thanks, JR

Nancy Ferro

The house did sell quckly after our show there, but the contract had been signed before the show. Apparently, the real estate people are very busy selling houses now. ;j r

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