Art by Jeanne Sturdevant

Jeanne Sturdevant   Asunder (front)   ©2013   painted wood, lace paper, glass   16 x 12 x 12 inches

The lettering around the front base has my vision acuity measurements, past and present... 20/200, 20/150, 20/80... and my hopes for improvement...20/60, 20/40, 20/20. [Although I don't expect a perfect score, one can dream....]

The eye chart on the back says:

Legally blind in left eye before surgery
Now slight improvement
Hopeful

Jeanne Sturdevant   Asunder (front)   ©2013

Jeanne Sturdevant   The Forest Knows My Name   2012   digital painting   9 x 21 inches

Jeanne Sturdevant   Silent Guilt   2012   digital painting   16 x 25 inches

Jeanne Sturdevant   Meditation   2012   digital painting   9 x 21 inches

Jeanne Sturdevant   Forest Treasures   2012   digital painting   9 x 12.5 inches

Jeanne Sturdevant   Generations   2012   digital painting   10.5 x 14.5 inches

Jeanne Sturdevant   Matriarch   2012   digital photograph   10 x 11 inches

Jeanne Sturdevant   Concealed Strength   2012   digital painting   9 x 12 inches

Jeanne Sturdevant   Equivocal Lifeline   2012   digital painting   9.5 x 12.5 inches

Jeanne Sturdevant   Concealed - Revealed   2012   digital painting   12.5 x 9.5 inches

E-mail jstur@geusnet.com.

Jeanne Sturdevant's resume is on page 2.

See more of her work at www.bluecanvas.com/prussian2/

Artist's statement

The changes that permeate and transform our lives are the central theme of my art. Digital painting allows me to save an evolving image at any stage.
I use a pressure sensitive graphics tablet stylus, virtually painting and extensively altering my photographs, continually evaluating the emerging image until I am satisfied. The resulting digital paintings are printed with archival materials, as unique prints or in very limited editions. My regional, national, and international exhibit record spans four decades and a variety of mediums. My 2008 solo exhibit, "Layered Journeys," at the Bath House Cultural Center in Dallas, was reviewed by Alexandra Bonnefield, NEA Fellow in Arts Criticism.

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Copyright 2012 by Jeanne Sturdevant

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