hen I was at UD in the mid 60s, I took 3-D Design from Mr Bartscht.
Didn't learn much about making art -- my welding fell apart.
Nothing I made seemed to work or stay together. But I learned
a deep appreciation for things three dimensional, now my favorite
form.
The campus had a few Bartscht
pieces. A hollow, copper nun in the foyer of the library we used
to make fun of. Only vaguely I remember others. So it was moving
to see all these saints and real people I'd missed in my student
haze, gathered amid the clutter of unrelated paintings at Valley
House.
His were mostly traditional
Catholic church statues with an elegant, modern, turn. Impressive,
even to this decidedly ex-papist, and those Angel Trumpeters
( above ) have long haunted my memory --
simple, 3-D forms with indirectly implied joy.
Much later, I learned that
Bartscht was instrumental in the creation of the Dallas
Museum of Contemporary Art.
-Story +
Photographs ( except for Moses ) by JRCompton
Heri
Bert Bartscht,
1964
goldleaf on basswood, 31 x 24 inches